Denis O’Hare is an actor, writer and activist who lives in Paris, France. Mr. O’Hare has appeared extensively on Broadway and Off-Broadway. He won a Tony Award for his performance in Richard Greenberg’s Take Me Out, a Drama Desk Award for his role in Sweet Charity as well as an OBIE Award for An Iliad. Denis has appeared in such films as Late Night, The Goldfinch, Swallow, The Day Shall Come, Milk, A Mighty Heart, Michael Clayton, Duplicity, 21 Grams, Garden State, Half Nelson, Dallas Buyers Club, Lizzie Borden, The Proposal and The Changeling. His television appearances include five seasons on “American Horror Story,” two seasons on “True Blood,” one season on “Big Little Lies,” appearances on “American Gods” (Season 3), “The Good Wife,” “The Comedians,” “This Is Us,” “Broad City,” and the upcoming HBO series “The Nevers.” As a writer, Denis recently had his first screenplay produced. His movie, The Parting Glass, is available on iTunes and other platforms. With his writing partner, Lisa Peterson, he is the co-author of the play An Iliad, which has been performed throughout the world—most recently in Shanghai and Paris. Denis and Lisa also wrote The Good Book, which premiered at The Court Theatre in Chicago in 2015 and enjoyed a critically acclaimed run at Berkeley Rep in the spring of 2019. Currently, Lisa and Denis are working on a new commission: a piece about the fall of the Roman Empire. In addition, Mr. O’Hare is writing a novel. He and his husband, Hugo Redwood have one son, Declan.
Lisa Peterson is a two-time Obie Award-winning writer and director. With Denis O’Hare, she wrote An Iliad, based on Homer’s epic, which won Obie and Lortel Awards for Best Solo Performance. Recent new work includes The Good Book (written with Denis O’Hare) at Berkeley Repertory Theatre, and The Waves (adapted from Virginia Woolf by Peterson and composers David Bucknam/Adam Gwon at New York Stage & Film). She was the Associate Director at Berkeley Repertory Theatre for the last three seasons, where her projects included Office Hour by Julia Cho, It Can’t Happen Here (adapted from the Sinclair Lewis novel by Tony Taccone), Lillian Hellman’s Watch on the Rhine, Brecht’s Mother Courage, and a chamber version of Shakespeare’s Antony & Cleopatra. At the Mark Taper Forum, where she was the Resident Director for ten years, her work included Lynn Nottage’s Sweat, Luis Alfaro’s Electricidad, Chay Yew’s House of Bernarda Alba, The Body of Bourne by John Belluso, and several projects with Culture Clash, including Chavez Ravine and Water & Power. At NYTW, in addition to An Iliad, she directed Tony Kushner’s Slavs, Naomi Wallace’s Trestle at Pope Lick Creek, Caryl Churchill’s Traps and Light Shining in Buckinghamshire (Obie Award). Other recent directing work: The Great Leap (ACT); Culture Clash (Still) in America (SCR); Sweat (Mark Taper Forum);Hamlet (Oregon Shakespeare Festival); Ernest Shackleton Loves Me (Second Stage, and taped for Broadway HD); To the Bone (Cherry Lane); Hamlet in Bed (Rattlestick) and King Liz (Second Stage). She has directed world premieres by major American writers including Tony Kushner, Beth Henley, Donald Margulies, Naomi Wallace, Jose Rivera, David Henry Hwang, Alice Tuan, Marlane Meyer, Basil Kreimendahl, Lisa Ramirez, Fernanda Coppel, Maria Irene Fornes, Jessica Hagedorn and many others.