Lights Out: Nat “King” Cole was originally commissioned and produced by People’s Light, Malvern, PA (Abigail Adams, Artistic Director/CEO; Ellen Anderson, General Manager/CFO; Zak Berkman, Producing Director).
The original development and premiere of Lights Out: Nat “King” Cole was supported by The Pew Center for Arts & Heritage and produced by Geffen Playhouse (Matt Shakman, Artistic Director; Gil Cates, Jr., Executive Director).
Colman Domingo made his British and Australian theatrical debuts with his self penned solo play A Boy and His Soul at the Tricycle Theater and Brisbane Powerhouse Theaters, the production which originated at the New York City’s stalwart the Vineyard Theatre. He starred in his play Wild with Happy that had its debut at the Public Theater. His fourth play Dot premiered at the Humana Festival at Actors Theater of Louisville and premiered Off-Broadway at the Vineyard Theatre directed by the legendary Tony award winner Susan Stroman. Dot is enjoying regional productions around the country and is published by Samuel French. As a theatre director, Domingo has helmed at the People’s Light Theatre, Huntington Theatre, Geffen Playhouse, Actors Theater of Louisville and Berkeley Repertory Theater. This fall, Domingo will be seen as the lead in the limited series “The Madness” created by Clement Virgo for Netflix. He is also currently in production on Michael playing Joe Jackson, directed by Antoine Fuqua. Lionsgate will release the film April 25th, 2025.
Born in St. Croix, U.S. Virgin Islands, Patricia McGregor is the Artistic Director of New York Theatre Workshop, as well as a director and writer working in theatre, film, dance and music. McGregor has twice been profiled by The New York Times for her direction of world premieres. She was inaugural Artist in Residence for Adam Driver’s Arts in the Armed Forces and an Old Globe Resident Artist. Her productions include The Refuge Plays (Roundabout & NYTW); Lights Out: Nat “King” Cole (co-writer and director; Geffen Playhouse, People’s Light); Sisters in Law (Wallis Annenberg Center for the Performing Arts); Shakespeare: Call and Response, Krapp’s Last Tape, What You Are, A Midsummer Night’s Dream and Measure for Measure (The Old Globe); Skeleton Crew (Geffen Playhouse); Good Grief (Center Theatre Group); Hamlet (The Public Theater); Place (Brooklyn Academy of Music); The Parchman Hour (Guthrie Theater); Ugly Lies the Bone (Roundabout Theatre Company); brownsville song (Lincoln Center Theater); Indomitable: James Brown (Apollo Theater); Holding It Down (The Metropolitan Museum of Art); A Raisin in the Sun, The Winter’s Tale and Spunk (California Shakespeare Theater); Adoration of the Old Woman (INTAR Theatre); Blood Dazzler (Harlem Stage); Four Electric Ghosts (The Kitchen); and the world premiere of Hurt Village (Signature Theatre Company).
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