Next Door at NYTW provides a home for companies and artists who are producing their own work. This initiative provides each project with subsidized resources and space for development and performance in the Fourth Street Theatre. As part of an ongoing effort to expand support for artists at every stage of their careers, this series served over 300 artists in the first two years alone.
60 minutes, no intermission
No late seating
ITZEL AYALA is a graduate from Allegheny College and is from Calexico, CA, a city on the border with Mexicali, Mexico. She has a major in in Theatre with a Latin American & Caribbean studies minor. She was the Production Management Fellow at New York Theatre Workshop for the 2018/19 Season. She loves the creativity that theatre has given her and is passionate about diversifying the stories that are on stage. Recent credits from NYTW include Hurricane Diane, Slave Play and What the Constitution Means to Me. Credits from Allegheny College include, Detroit (Assist. Director), Baby with the Bathwater (SM), A Civil War Christmas (ASM); with Student Experimental Theatre, the student theatre organization she led as its President, Shadow of a Man (Director), and August: Osage County (Assist. Director).
JESSICA EMMANUS is thrilled to be a part of In the Penal Colony. Broadway: Harry Potter and the Cursed Child, The Cher Show. Off-Broadway: Notes from the Field (Second Stage). NYC: Between the Lines, Love, Loss, and What I Wore (92nd Street Y), Protest (Cherry Lane Theatre). Regional: Seared, Dangerous House, Buffalo Bill (Williamstown Theatre Festival). Education: MFA, Columbia University. Thanks to her parents and her friends for always being supportive of the journey.
EMMIE FINCKEL is a New York based scenic and properties designer specializing in new work and immersive. Recent design credits include Riot Antigone (La MaMa), Eurydice, The Pillowman, Mr. Burns… (Wesleyan University), Mondo Tragic (NBT), Mrs. Murray’s Menagerie (Props – Ars Nova), Folk Wandering (Props – ART/NY), Athena (JACK), Suds, All Aboard, Out There (Bluelaces Theater Co.), East O’, West O’, Telegraph Bois (ANTFEST – Ars Nova), SHE: A Choreoplay, And It Felt Like A Kiss… (HERE Arts), Oklahoma!, The Armor Plays, Rhinoceros (Fieldston School). Assistant/associate design credits include numerous productions with David Korins (Hamilton, Dear Evan Hansen) and Gabriel Evansohn (KPOP (Ars Nova & ART/NY), Empire Travel Agency). Emmie holds a BA from Wesleyan University, and is a proud member of the Woodshed Collective. See more of their work at efinckel.com.
MIRANDA HAYMON is a Princess Grace Award/Honoraria-winning writer, director and deviser of performance originally from Boston. Her recent projects include Mondo Tragic at The National Black Theatre, Erotophobia at Fordham University, and Eclipsed at Dartmouth College where she co-taught Contemporary Theater. She is an Artist-in-Residence at Roundabout Theatre Company; previously as the 2017/18 Directing Fellow, currently the Artistic Development Associate. Miranda is Resident Director at The Tank, a New Georges Affiliate Artist and 2019 Audrey Resident, a Space on Ryder Farm 2019 Creative Resident, member of the Lincoln Center Theatre Directors Lab, the Wingspace Mentorship Program, a 2019/20 New York Theatre Workshop 2050 Directing Fellow, a Manhattan Theatre Club Directing Fellow, and a former Allen Lee Hughes Directing Fellow at Arena Stage. Miranda is a graduate of Wesleyan University where she double majored in German Studies and Theater and was awarded the Rachel Henderson Theater Prize in Directing. Upcoming: We Are Proud To Present… (Sarah Lawrence College), Exception to the Rule (Roundabout Underground). www.mirandahaymon.com
THE HODGEPODGE GROUP is a producing entity and community of artists, organizers, and scholars led by Miranda Haymon and Rose Beth Johnson-Brown that has created live performance and moving images alongside direct political action initiatives since 2017. By requiring all associated productions to integrate direct action into their work, they support art that makes change artistically and practically. Their work has been seen at Capital Fringe, Panorama Philly and The Tank. www.thehodgepodgegroup.com
VALENTINE MONFEUGA is from Paris, France and based in New York City. Their work has been heard at The Public, NYTW, The New School, Japan Society, WP Theater, The Tank, The New Ohio, Dixon Place, Access Theater; and regionally at Princeton, Williamstown Theater Festival, SUNY Purchase, The Cider Mill Playhouse. Current projects include The Play That Goes Wrong at NWS, Dana H. at CTG/Goodman, Make Believe at 2econd Stage, and Moscow Moscow Moscow Moscow Moscow Moscow at MCC.
LUCY POWIS is a dramaturg, producer, and arts administrator who hails from Toronto. She is a Literary Assistant at Abrams Artists Agency, and previously held seasonal positions in the Artistic departments of Lincoln Center for the Performing Arts, Williamstown Theatre Festival, and Roundabout Theatre Company. She has developed work with Fresh Ground Pepper and NYTW’s 2050 Fellowship. Recent credits include producing [wave emoji] (Ars Nova’s ANT Fest), associate producing Between the Threads: Jewish Women Project (HERE), producing PROSPERITY!, and dramaturging How to Mourn an American (LPAC’s Rough Draft Festival). She is a recent graduate of Columbia’s MFA Dramaturgy program and a proud member of LMDA. www.lucypowis.com
CHA SEE is from Manila, Philippines. Credits include: Cute Activist (Bushwick Starr); Macbeth In Stride (Joe’s Pub); The Triumphant (Target Margin Theatre); Nora (The Juilliard School); What To Send Up When It Goes Down (The Movement); Mondo Tragic (National Black Theatre); Plural Love (Soho Rep Lab); Anna May Wong (Mabou Mines); The Maturation of an Inconvenient Negro (Cherry Lane); SKINNAMARINK (NYTW Next Door). Upcoming: America V2.1 (Barrington Stage); On The Grounds of Belonging (Long Wharf Theatre); Yasmina’s Necklace (Premiere Stages). Cha is exhibiting her works at the Prague Quadrennial 2019. Training: MFA NYU Tisch. For more seelightingdesign.com @seethruuu