NYTW BLOG

We are thrilled to announce our full For The Culture lineup for Here There Are Blueberries in partnership with our friends at FASPE.

FASPE challenges its professionals to recognize and exercise their ethical and leadership responsibilities as influencers. FASPE’s distinctive approach is to examine the roles and behavior of individual professionals in Germany and elsewhere between 1933 and 1945 as an initial framework for approaching ethical responsibility in the professions today. Each year, FASPE awards 80 to 90 Fellowships to graduate students and early-career professionals in Business, Design & Technology, Journalism, Law, Medicine, and Seminary. The Fellowships begin with intense study in Germany and Poland where FASPE takes advantage of the urgency created by the power of place to translate the history into the present. Visit faspe-ethics.org to learn more.

April 17, 2024 by NYTW

We are proud to add a series of robust conversations as part of Here There Are Blueberries, including special post-show discussions with our partners at FASPE (Fellowships at Auschwitz for the Study of Professional Ethics). Check out who will be participating, browse the full slate of discussions, and get your tickets! A reminder that a ticket to that evenings performance will be required for entry.

April 2, 2024 by NYTW

We are excited to share a clip of the title song from I Love You So Much I Could Die, taken from a recent live performance. Mona’s vocals are sure to seep into your soul in this stirring and beautiful melody.

March 7, 2024 by NYTW

It’s the best time of year – Casebook season! If you don’t already know about Casebook, you’re in luck – because this post is all about it!

Casebook is one of our show-specific education offerings. Through Casebook, audience members are given a behind-the-scenes look at how a production comes together at NYTW. NYTW designates one show per season as a case study and hosts a 7-week class designed to provide theatre lovers with a true insider’s view of the development process, including insights into budgeting, artistic and design decisions, and how a show might change from the final dress rehearsal to opening night.

February 21, 2024 by Corey Bravo Sloan, NYTW Development Fellow

We were excited to celebrate opening night for I LOVE YOU SO MUCH I COULD DIE with some of our nearest and dearest friends! Check out some behind the scenes photos of this wonderful celebration!

February 15, 2024 by NYTW

Playwright and performer Mona Pirnot and director Lucas Hnath sit down for a wide ranging conversation with Michael Paulson at The New York Times to discuss how sound plays a role in I Love You So Much I Could Die.

February 13, 2024 by Michael Paulson for THE NEW YORK TIMES

Our question to the NYTW staff this month was in honor of February as Black History Month. We asked the staff: What are your favorite Black-owned businesses? 

February 1, 2024 by NYTW

We are back! After a little winter hiatus, we sat down with playwright and performer Mona Pirnot of I Love You So Much I Could Die for a conversation with her good friend and Grammy-winning musician Will Butler (who will make his Broadway debut as the Music Director for Stereophonic this season)

January 18, 2024 by NYTW

Leigh Silverman is a busy director these days, but we are so glad she calls NYTW her home! In her chat with FORBES, Leigh talks everything from the creation of Merry Me and representation on stage, to walking into the workshop in 1996 as an intern during the original production of RENT.

November 3, 2023 by Jeryl Brunner for FORBES

Director Leigh Silverman and Playwright Hansol Jung sit down with Merryn Johns from INTO to talk lesbians, orgasms, and why Leigh’s North Star for Merry Me was The Muppet Show.

“Trailblazing director Leigh Silverman ably guides Hansol Jung’s play, which forgoes victimization, trauma, and tropes we have perhaps come to expect from female-centered theater. There is, however, lots of arch wordplay, simulated sex, and — as with the mannered conventions of Restoration comedy — reality flies out the window.”

November 2, 2023 by Merryn Johns for INTO