Vinson Cunningham dives head first in the “intricate marvel” of AMERICAN (TELE)VISIONS and points to another character who was also visiting New York this month, seeking a home and representing a greater purpose.
“The split between screen and stage, usually such a leech on a show’s dynamism, enacts the fractures between family and commerce, trauma and the future, a new country and a country left behind, everlasting love and the stubbornness of grief.”
Read the full article here.
Original illustration by Rakhmat Jaka Perkasa for THE NEW YORKER
Categories: 2022/23 Season. Tags: american (tele)visions and Victor I Cazares.