Nicole Taylor / Writer

Nicole is a BAFTA-winning screenwriter, originally from Glasgow, Scotland. Nicole adapted David Nicholls’ bestseller One Day into a 14-part series for Netflix, which went to global number one and received widespread critical and audience acclaim. She also wrote “Three Girls” for BBC1 about the Rochdale grooming scandal, which won five BAFTAs. She wrote the film Wild Rose starring Jessie Buckley, Julie Walters and Sophie Okonedo. This is her first time writing for the stage.

John Tiffany / Director

Theatre credits include Harry Potter and the Cursed Child (West End, Broadway), Once (West End, Broadway), The Glass Menagerie (Edinburgh International Festival, West End, Broadway), Let The Right One In, Macbeth, Be Near Me, The Bacchae, Black Watch (National Theatre of Scotland), The End Of History, Road, The Pass (Royal Court), Gagarin Way, Abandonment, Passing Places (Traverse Theatre).  Awards include Best Direction of a Play (Harry Potter and the Cursed Child) – Tony Awards 2018, Best Director (Harry Potter and the Cursed Child) – Olivier Awards 2017, Best Direction of a Musical (Once) – Tony Awards 2013, Best Director (Black Watch) – Olivier Awards 2009. John trained at Glasgow University and Traverse Theatre. He was a Radcliffe Fellow at Harvard University in the 2010-11 academic year.

Steven Hoggett / Co-Choreographer

Theatre credits as Choreographer include Harry Potter and the Cursed Child (West End, Broadway, international); The Glass Menagerie (Edinburgh International Festival); Once (West End); Sweeney Todd, A Beautiful Noise, Angels in America, The Crucible, The Last Ship, Rocky: The Musical, Peter and the Starcatcher, American Idiot (Broadway); Nye, The Ocean at the End of the Lane, The Light Princess, The Curious Incident of the Dog in the Night-Time (National Theatre); Let the Right One In (National Theatre of Scotland, St. Ann’s Warehouse). Theatre credits as Movement/Associate Director include Black Watch (National Theatre of Scotland, St. Ann’s Warehouse). Theatre credits as Director include Discoshow (Linq Las Vegas), Burn (National Theatre of Scotland, The Joyce), Social! The Social Distance Dance Club (Park Avenue Armory), Close to You: Bacharach Reimagined (NYTW, West End). Film credits include How to Train Your Dragon 2 (Dreamworks), Freakshow (Maven Pictures). As a founding member of Frantic Assembly, Steven also co-wrote, with Scott Graham, The Frantic Assembly Book of Devising Theatre.

Vicki Manderson / Co-Choreographer

Lyceum credits: The Outrun (with Edinburgh International Festival); Cockpit, Sunset Song (with Dundee Rep); Anna Karenina (with Bristol Old Vic). Theatre credits as Choreographer include When Prophecy Fails, The Hope River Girls, The Afflicted (Groupwork); Dracula: Mina’s Reckoning, Burn, Orphans, The Enemy, 306: Day (National Theatre of Scotland); Moonset (Citizens Theatre); Square Go (Francesca Moody Productions); Light Falls, Queen Margaret, Happy Days, The Almighty Sometimes (Royal Exchange Manchester); Ear for Eye, Instructions for Correct Assembly, A Profoundly Affectionate Passion Devotion to Someone (- noun) (Royal Court); Cinderella, Wings Around Dundee (Dundee Rep); Companion Moon (Coney); Last Orders at The Dockside, The Country Girls, Jimmys Hall (The Abbey Dublin); Crooked Dances (Royal Shakespeare Company). Theatre credits as Associate Movement Director include The Ocean at the End of the Lane, The Curious Incident of the Dog in the Night-Time (National Theatre); Let the Right One In (National Theatre of Scotland, Marla Rubin, Bill Kenwright); In Time O’ Strife, Black Watch (National Theatre of Scotland). Film credits include Swirl (Random Acts, Debbie Tucker Green). Awards and nominations include Outstanding Fight Choreography nominee (Square Go) – Drama Desk Awards, Best Movement Direction nominee (Jimmys Hall) – Irish Times Theatre Awards. Vicki trained at The Scottish School of Contemporary Dance and London Contemporary Dance School.

Sarah Travis / Co-Music Supervisor

Theatre credits include The Cabinet Minister, Jerry Girls (Menier Chocolate Factory); Grease (Dominion Theatre, UK tour); Toy Show The Musical (Dublin); 101 Dalmatians (Regents Park); West Side Story, Scrooge, Legally Blonde (Curve); Beautiful (Curve, UK tour); The Magician’s Elephant, Miss Littlewood (Royal Shakespeare Company); Talent (Crucible Theatre); Curtains (UK tour); Sweet Charity, A Little Night Music, Copacabana, Spend Spend Spend, Sunset Boulevard, Martin Guerre, Hot Mikado Honk!, Mack and Mabel, Fiddler On The Roof, Gondoliers Ten Cents a Dance, Piaf, Carmen, A Star Danced (Watermill Theatre); Sister Act (UK tour); The Hired Man (NYMT); Fiddler On The Roof (UK tour); Dear World (Charing X); Chess (UK tour); Peter Pan (Oxford Playhouse). Pianist credits include Two Turtle Doves (Crazy Coqs), Julian Clary, Canned Clary, Natural Born Mincer (UK tour); Fascinating Aida in Barefaced Chic (Haymarket Theatre, UK tour); Lily Savage (Purcell Rooms); Bette Midler and Me (Gilded Balloon). Awards include Tony and Drama Desk Awards for Orchestration (Sweeney Todd). Sarah trained at City University and the Guildhall School of Music and Drama.

Nadia DiGiallonardo / Co-Music Supervisor

NADIA DIGIALLONARDO is a New York City–based musician, born and raised in Brooklyn. She most recently served as music supervisor, arranger, and co-orchestrator for Wonder at the American Repertory Theater, with music by A Great Big World, and held these same roles on last season’s Broadway production of Real Women Have Curves. Nadia was a member of the original creative team for the Broadway musical Waitress, collaborating with Sara Bareilles and director Diane Paulus. Alongside Bareilles and the original Waitress band, she helped develop the show’s orchestrations and led the onstage band throughout its Broadway run. She continues to oversee regional and touring productions of Waitress worldwide. Nadia’s collaboration with Sara Bareilles continues on The Interestings, a new musical set to premiere at Berkeley Repertory Theatre in January 2027. Previous Broadway credits include Once Upon a One More Time (vocal arrangements) and Diane Paulus’s revivals of Hair (music director) and Pippin (music supervisor, dance arrangements). She recently joined the music team for the upcoming Broadway production of Wanted, opening this fall at the James Earl Jones Theater. In television, Nadia co-produced the music for Apple TV’s “Central Park” with her partner, drummer Rich Mercurio, and the two continue to collaborate on a range of projects. She can also be found singing with The DiGiallonardo Sisters, who were frequent guests on A Prairie Home Companion for several years. Check out their live album “Shout, Sister, Shout!” Nadia graduated Phi Beta Kappa from Vassar College with a degree in Urban Planning.

Chloe Lamford / Scenic Design

Tony Award winning and Olivier nominated Chloe Lamford works internationally across theatre, opera and dance. Recently: Death of a Salesman, Hillary and Clinton (Broadway); Wild Rose (New York Theatre Workshop, Lyceum Edinburgh); ALIZÉ (Cirque du Soleil); Cherry Orchard, Teeth ‘n’ Smiles, Mrs. Warren’s Profession, Next to Normal, Get Up Stand Up! The Bob Marley Musical (WestEnd); The Prime of Miss Jean Brodie (National Theatre of Scotland); The Mad King (RSC); The Architect, Julie and De Maiden (ITA, Amsterdam); Innocence (The Met, San Francisco, FNO, Aix); The Estate, Phaedra, Othello, Antipodes (co-director), Othello, John, Amadeus, Rules for Living (National Theatre).

Katrina Lindsay / Costume Design

KATRINA LINDSAY is a multi-award winning costume designer working internationally in theatre, opera, film and ballet. Select Credits in Costume Designs include: the critically acclaimed global productions of Harry Potter and the Cursed Child in London, New York, Melbourne, San Francisco, Hamburg, Toronto, the Netherlands and Tokyo, for which she won the 2018 Tony Award and the 2017 Olivier Award for Outstanding Costume Design in Theatre; The Motive and the Cue and The Lehman Trilogy, both directed by Sam Mendes, at the Royal National Theatre and in the West End; Wild Rose at Royal Lyceum Edinburgh; Mean Girls in the West End and on UK Tour; Tammy Faye at the Almeida and on Broadway; American Psycho at the Almeida Theatre and Broadway (Outer Critics Circle and Drama Desk nominations for Best Costume Design); Burn (with Alan Cumming) for National Theatre of Scotland and Edinburgh International Festival; Les Liaisons Dangereuses staring Laura Linney on Broadway, for which she won the 2005 Tony Award, Drama Desk Award and Outer Critics Circle Award; Terry Gilliam’s opera productions of the Damnation of Faust and Benvenuto Cellini which have been performed all around the world; The Most Incredible Thing, a ballet composed by the Pet Shop Boys at Sadler’s Wells and Hamlet (with Benedict Cumberbatch) at the Barbican. Katrina has designed for the Royal Shakespeare Company, The Royal Opera House, The Sydney Opera House, Chichester Festival Theatre and Young Vic amongst others. She was an Artistic Associate at the National Theatre where she designed the set and costumes for London Road, Small Island, Hex, 3 Sisters, Mosquitoes, Dara, Behind the Beautiful Forevers, and Death and the King’s Horseman. She was also production designer on the film of London Road. She is a recipient of an Arts Foundation Fellowship in Costume Design and her costume work has been featured in UK and US Vogue and at the V&A Museum, London and internationally.

Jessica Hung Han Yun / Lighting Design

JESSICA HUNG HAN YUN. Theatre includes Cloud 9, Hamlet, The Estate, Dick Whittington (National); Cats (Regent’s Park Open AirTheatre); My Neighbour Totoro (Barbican/Gillian Lynne), Hamlet Hail to the Thief (RSC/ Aviva studios); Wild Rose (Royal Lyceum); Dr Strangelove (Noel Coward Theatre); The Mirror and the Light (PlayfulProductions/West End); Blindness (Donmar Warehouse); Equus (Theatre Royal Stratford East/ETT/Trafalgar Studios/UK Tour); One (Home/UK Tour/International Tour); Snowflake (Kiln from Fire Station Oxford); Fairview (Young Vic).

Dance includes: HOME (Rambert2); Dreams this way (Opéra de Paris).

Other Events include: Ai Weiwei: Button Up! Exhibition, DIVA Exhibition (V&A); Guardians of the Galaxy: The Live Immersive Experience (Secret Cinema); Winter Light (commissioned by the Museum of the Home).

Jessica received the Olivier Award and WhatsOnStage Award for Best Lighting Design for My Neighbour Totoro, and the Knight of Illumination Award – Plays and Off West End for Best Lighting Design for Equus.

Tony Gayle / Sound Design

TONY GAYLE. Olivier Award winner whose work includes My Neighbour Totoro; Two Strangers (Carry A Cake Across New York); Get Up, Stand Up! The Bob Marley Musical; Shifters; Next to Normal; Gatsby: An American Myth; The Harder They Come; Sylvia; Becoming Nancy; Spring Awakening & many more.

Addison Heeren / Props Supervisor

ADDISON HEEREN. Recent credits include (Broadway): The Rocky Horror Show, Oh Mary!, Freestyle Love Supreme, Flying Over Sunset, Pass Over and Almost Famous (Asst. Props). (Off-Broadway): Saturday Church, Tartuffe (NYTW); Grangeville (Signature); Oh Mary! (Lortel); The Big Gay Jamboree (Orpheum); Phish’s “Gamehendge” at MSG (Co-Props); Monsoon Wedding (St. Ann’s); Sancocho, Bite Me (WP Theater); Fiddler Afn Dakh (Directed by Joel Grey); Ordinary Days (Keen Company); 17 Minutes, The Thing with Feathers, Abigail’s Party (Barrow Group); Fern Hill (59E59); Jersey Boys (NCL Bliss); Midnight at the Never Get (York Theater); A Clockwork Orange (NWS); A Room of My Own (Abingdon). Instagram: @propstitutenyc

Liz Hayes / Dialect Coach

Liz Caplan / Vocal Supervisor

Rebekah Bruce / Music Director

Jim Carnahan, CSA and Alexandre Bleu, CSA / Casting

Rachel Sterner / Production Stage Manager

RACHEL STERNER. Broadway: Death Becomes Her, Gutenberg! The Musical!, Almost Famous, Harry Potter and the Cursed Child, Paramour. Regional: The Honeymooners (Papermill Playhouse). Tour: Dralion, Michael Jackson: The Immortal World Tour (both with Cirque duSoleil); Bette Midler’s Divine Intervention, Velvet (Edinburgh Fringe). Rachel originally learned to love stage management with Themestar’s Thomas the Tank Engine Live! and Nickelodeon’s Go Diego Go Live!. Grad of NYU’s Tisch School of the Arts. Big thanks to this creative team. Love to her friends and family.